When “Machines” director Rahul Jain was growing up in India, he spent plenty of time as a child in his grandfather’s small textile factory. When Jain started making what would become his first film during his breaks from Cal Arts many years later, he knew he wanted to capture some of those mesmerizing sounds and visuals.
“There was a big sensory soup in my consciousness I was chasing,” he told IndieWire Special Projects Editor Steve Greene following a showing of his film about the goings on of a massive textile factory in Gujarat, India, at the International Documentary Association’s annual screening series.
Of course, it took some time to figure out how to do that.
Read More:How ‘La 92’ Directors Sorted Through 1,700 Hours of Footage for Their Sobering Film
“When you’re in such a sensorially rich and stimulating environment, as a director you kind of feel like you should get everything,...
“There was a big sensory soup in my consciousness I was chasing,” he told IndieWire Special Projects Editor Steve Greene following a showing of his film about the goings on of a massive textile factory in Gujarat, India, at the International Documentary Association’s annual screening series.
Of course, it took some time to figure out how to do that.
Read More:How ‘La 92’ Directors Sorted Through 1,700 Hours of Footage for Their Sobering Film
“When you’re in such a sensorially rich and stimulating environment, as a director you kind of feel like you should get everything,...
- 12/8/2017
- by Jean Bentley
- Indiewire
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