With his Living trilogy completed, which is among the best trio of films cinema has offered this century, Roy Andersson has embarked on his next feature, one which will arrive much faster than we’re used to from the meticulous Swedish director. Though still coming along at the director’s usually patient pace, production began last February on About Endlessness and will continue through much of this year ahead of a 2019 premiere.
As reported on back in 2016, certain sequences will depict World War II (including Hitler in his bunker), “a couple, loosely inspired by Marc Chagall’s paintings,” and “a divorce prosecutor who doesn’t trust banks and keeps his savings under his mattress,” while characters include “an angry dentist, a midwife who loves champagne, a young girl going to a birthday party in the rain, a distracted waiter, a priest having a nightmare that he is being crucified, and...
As reported on back in 2016, certain sequences will depict World War II (including Hitler in his bunker), “a couple, loosely inspired by Marc Chagall’s paintings,” and “a divorce prosecutor who doesn’t trust banks and keeps his savings under his mattress,” while characters include “an angry dentist, a midwife who loves champagne, a young girl going to a birthday party in the rain, a distracted waiter, a priest having a nightmare that he is being crucified, and...
- 2/14/2018
- by Jordan Raup
- The Film Stage
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