The leafy suburbs of Perth, Australia's western capital, are the setting for a lo-fi game of inter-dimensional cat and mouse in The Gateway, a cheapie from Aussie genre-meister John V. Soto (Needle, The Reckoning). The worlds visited all look drably identical, give or take some inclement weather, and the effects work is homespun, to put it mildly, but the whole thing plays mostly like a straight earth-bound thriller anyway, with a husband gone berserk and a family on the run. A nifty premise — a grieving widow brings a parallel-world version of her husband back to her own, with disastrous...
- 3/10/2018
- by Harry Windsor
- The Hollywood Reporter - Movie News
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