Every week, IndieWire asks a select handful of film critics two questions and publishes the results on Monday. (The answer to the second, “What is the best film in theaters right now?”, can be found at the end of this post.)
This week’s question: Inspired by a tweet from Matt Zoller Seitz, what widely despised (and/or financially disastrous) movie from the last few years will eventually be considered a classic?
Carlos Aguilar (@Carlos_Film), Freelance for MovieMaker Magazine/Remezcla
The curios case of “Me and Earl and the Dying Girl” evidences how critical consensus can shift in strange ways from festival premiere to theatrical release, and how easy it is for people to jump on the backlash train. Clearly, not everyone has to love Alfonso Gomez-Rejon’s adaptation of Jesse Andrews’ novel as much as I do, but it was shocking to see how a film that was so instantly beloved at Sundance,...
This week’s question: Inspired by a tweet from Matt Zoller Seitz, what widely despised (and/or financially disastrous) movie from the last few years will eventually be considered a classic?
Carlos Aguilar (@Carlos_Film), Freelance for MovieMaker Magazine/Remezcla
The curios case of “Me and Earl and the Dying Girl” evidences how critical consensus can shift in strange ways from festival premiere to theatrical release, and how easy it is for people to jump on the backlash train. Clearly, not everyone has to love Alfonso Gomez-Rejon’s adaptation of Jesse Andrews’ novel as much as I do, but it was shocking to see how a film that was so instantly beloved at Sundance,...
- 3/12/2018
- by David Ehrlich
- Indiewire
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