While on its surface, Sadie is not an explicitly political film about the present American condition, it is a story of the “forgotten men and women” hidden from the public eye in various social contexts. Following a troubled young woman who may one day become a problem society will deal with the only way it knows how–branding her a monster and putting her in a state prison–Megan Griffiths’ film could be read as an origin story. But if there’s a silver lining to this tragedy, it’s that there’s some small level of intervention from adults to prevent this possibility, even if they never know quite what to say to help.
12-year old Sadie (played brilliantly by Sophia Mitri Scholoss) spends her days roaming around the scrap yards that flank her trailer park. Her seemingly only friend is her younger neighbor, Francis (Keith L. Williams), and his grandfather.
12-year old Sadie (played brilliantly by Sophia Mitri Scholoss) spends her days roaming around the scrap yards that flank her trailer park. Her seemingly only friend is her younger neighbor, Francis (Keith L. Williams), and his grandfather.
- 3/15/2018
- by John Fink
- The Film Stage
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