There are moments in “The Crossing” that make it feel as though it’s from a slightly earlier era — specifically the “Lost” era when networks were clamoring to find a newer, shiner science-fiction mystery for viewers to obsess over. And “The Crossing,” which is also built around a group of survivors who wash up on the beach (and which also has a time-travel hook), does want to be that show, but it might not have the chops to survive long enough to build a following.
To its credit, “The Crossing” wastes no time getting into the core of the premise, immediately rushing Sheriff Jude Ellis (Steve Zahn, in a rare dramatic role) to the scene. What he thought was one body turns out to be dozens — some dead, some alive — with no lifejackets, and no sign of a capsized boat. When the Department of Homeland Security, led by Emma Ren...
To its credit, “The Crossing” wastes no time getting into the core of the premise, immediately rushing Sheriff Jude Ellis (Steve Zahn, in a rare dramatic role) to the scene. What he thought was one body turns out to be dozens — some dead, some alive — with no lifejackets, and no sign of a capsized boat. When the Department of Homeland Security, led by Emma Ren...
- 3/28/2018
- by Pilot Viruet
- Variety Film + TV
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