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‘Here and Now’ Film Review: Sarah Jessica Parker Loses the Pitch in Lackluster Drama

Your response to “Here and Now,” a first narrative film from director Fabien Constant (“Mademoiselle C”), will very much depend on your response to Sarah Jessica Parker as a performer, for this is very much a vehicle for Parker, and it plays into some of her strengths and many of her weaknesses.

“Here and Now,” which screened at festivals under the title “Blue Night,” gets off to a very rocky start in a first sequence set in a hospital where Vivienne Carala (Parker) waits to see a doctor. The first shot is of her agonized eyes in extreme close-up, and the hand-held camera keeps very close to Vivienne. Constant seems to want us to be inside of Vivienne’s head here, but the editing is so jerky that what results is spatially incoherent rather than emotionally involving.

Vivienne is told that she has a brain tumor and only around fourteen

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