If you are a long time reader of these here pages, then you may very well already be aware of my love for the cinematic works of Nathan Silver. Working under the mode of roughly a movie a year, Silver has offered some of the finest indie fare of this past decade. From at-home care drama Exit Elena, to the introspective Uncertain Terms, the tumultuous Stinking Heaven and the manic Thirst Street, Silver perfectly encapsulates the wild mood swings of early 21st century American Living like few other filmmakers of his generation. Reuniting with his Thirst Street co-star Esther Garrel, Silver has also teamed up with writer Jack Dunphy, and actress Maëlle Poesy for the NYC theater scene fuck-up The Great Pretender. Now, while I am...
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- 4/20/2018
- Screen Anarchy
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