Nicolas Cage didn’t walk the red carpet at the 2018 Cannes Film Festival, but his name was everywhere. At the Directors’ Fortnight sidebar, the actor’s wild-eyed performance in the revenge saga “Mandy” reminded cinephiles that while his penchant for overacting can border on parody, he’s a true creature of cinema. Sundance audiences embraced it as a genre experiment; the Cannes reception took it global. “For years, Nicolas Cage’s more extreme performances have been derided as a blight on cinema,” wrote Robbie Collins in The Telegraph, “but it turns out that cinema just had to catch up.”
Directors’ Fortnight, where Cage won similar approval two years ago as the self-absorbed criminal with a Humphrey Bogart obsession in Paul Schrader’s “Dog Eat Dog,” proved to be only one of several ways for the Cage brand to remain current at the world’s most prominent film gathering. Several Cage...
Directors’ Fortnight, where Cage won similar approval two years ago as the self-absorbed criminal with a Humphrey Bogart obsession in Paul Schrader’s “Dog Eat Dog,” proved to be only one of several ways for the Cage brand to remain current at the world’s most prominent film gathering. Several Cage...
- 5/23/2018
- by Eric Kohn
- Indiewire
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