The greatest of Japanese filmmakers have a chameleonic quality. Although these directors—Akira Kurosawa, for example—build their reputation around one genre, they export their thematic preoccupations to projects that couldn’t be more disparate in terms of subject matter. Hirokazu Kore-eda is one such modern master, whose soft-spoken family dramas are broken up by more unorthodox projects, like magical-realist efforts “After Life” and “Air Doll,” or “Hana,” a jidai-geki in the tradition of Kurosawa, albeit with an identifiable Kore-eda touch.
Continue reading ‘The Third Murder’ Isn’t Hirokazu Kore-eda’s Finest Work But Is A Damn Good Thriller Nonetheless [Review] at The Playlist.
Continue reading ‘The Third Murder’ Isn’t Hirokazu Kore-eda’s Finest Work But Is A Damn Good Thriller Nonetheless [Review] at The Playlist.
- 7/20/2018
- by Bradley Warren
- The Playlist
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