Netflix’s 11th hour purchase of “Mowgli” has been hailed as a coming-of-age moment for the streaming service and as a sign that changing tastes have left some big-budget studio films struggling to justify a traditional theatrical release.
But it’s also an acknowledgement that a certain kind of franchise hunting has only resulted in diminishing returns. For a time, Warner Bros., the studio that sold off “Mowgli,” had banked heavily on exploiting intellectual property that had drifted into the public domain. The hope was that classic fantasy stories could be re-imagined for modern audiences, inspiring epic films that could lead to sequels and that would hit multiplexes with built-in “brand awareness.” They also had the added benefit of having creators that were long dead. That meant that studios wouldn’t have to engage in elaborate author appeasement (see: E.L. James) or become embroiled in long-standing litigation over rights (see: the Tolkien estate).
At Warners,...
But it’s also an acknowledgement that a certain kind of franchise hunting has only resulted in diminishing returns. For a time, Warner Bros., the studio that sold off “Mowgli,” had banked heavily on exploiting intellectual property that had drifted into the public domain. The hope was that classic fantasy stories could be re-imagined for modern audiences, inspiring epic films that could lead to sequels and that would hit multiplexes with built-in “brand awareness.” They also had the added benefit of having creators that were long dead. That meant that studios wouldn’t have to engage in elaborate author appeasement (see: E.L. James) or become embroiled in long-standing litigation over rights (see: the Tolkien estate).
At Warners,...
- 7/30/2018
- by Brent Lang
- Variety Film + TV
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