Before Frances Ford Coppola battled the elements for “Apocalypse Now” and Werner Herzog dragged a steamship up a hill in “Fitzcarraldo,” Dennis Hopper concocted a Hollywood project so bizarre and ambitious it nearly destroyed his career. He couldn’t have picked a more appropriate topic to put it all on the line: “The Last Movie,” Hopper’s 1971 directorial follow-up to the success of “Easy Rider,” starred the actor as a disgruntled stunt coordinator on location in the Andes Mountains who grows disillusioned with filmmaking and attempts to abandon the industry.
But the ghosts of cinema continue to haunt him, once he’s drawn back to the Peruvian village where the movie was shot to find the natives attempting to make their own imaginary movie — except they’re using cameras and microphones made of sticks, and swapping simulated violence for the real deal. This absurd twist takes on a frantic, disorienting quality,...
But the ghosts of cinema continue to haunt him, once he’s drawn back to the Peruvian village where the movie was shot to find the natives attempting to make their own imaginary movie — except they’re using cameras and microphones made of sticks, and swapping simulated violence for the real deal. This absurd twist takes on a frantic, disorienting quality,...
- 8/2/2018
- by Eric Kohn
- Indiewire
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