By Tim Greaves
The name Sergio Martino will strike a chord with anyone who has even a passing interest in Italian exploitation pictures of the 70s and 80s. Once seen, who can forget The Great Alligator or The Island of Fishmen – both of which are favourites of this writer in their showcasing of Barbara Bach at her most radiant – or premium Suzy Kendall giallo Torso, or for that matter once ‘video nasty’ and Ursula Andress headliner The Mountain of the Cannibal God? Marking Martino’s second giallo, The Case of the Scorpion’s Tail (o.t. La coda della scorpione), was released in 1971, sandwiched between a couple of his most highly regarded titles, The Strange Vice of Mrs Wardh and All the Colours of the Dark. Scorpion’s Tail isn’t quite on a par with either of those, but it’s still a respectable entry in the sub-genre.
When...
The name Sergio Martino will strike a chord with anyone who has even a passing interest in Italian exploitation pictures of the 70s and 80s. Once seen, who can forget The Great Alligator or The Island of Fishmen – both of which are favourites of this writer in their showcasing of Barbara Bach at her most radiant – or premium Suzy Kendall giallo Torso, or for that matter once ‘video nasty’ and Ursula Andress headliner The Mountain of the Cannibal God? Marking Martino’s second giallo, The Case of the Scorpion’s Tail (o.t. La coda della scorpione), was released in 1971, sandwiched between a couple of his most highly regarded titles, The Strange Vice of Mrs Wardh and All the Colours of the Dark. Scorpion’s Tail isn’t quite on a par with either of those, but it’s still a respectable entry in the sub-genre.
When...
- 8/7/2018
- by nospam@example.com (Cinema Retro)
- Cinemaretro.com
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