It’s been six years since Jean Dujardin improbably charmed his way to an Oscar for a sparkling star turn in “The Artist,” and since then, even the French film industry has struggled to make optimum use of the funnyman’s outsize, old-school screen presence. Drug thriller “The Connection” was a solid enough play-it-straight vehicle, but by the time Dujardin showed up as a digitally modified little person in the dubious 2016 romcom “Up for Love,” Michel Hazanavicius’s beguiling silent-film pastiche itself seemed ancient history. That “I Feel Good” finally hands Dujardin a role he can wrap his arms around is perhaps the greatest of its many offbeat pleasures; he repays Benoît Delépine and Gustave Kervern’s ultimately sunny anti-capitalist comedy with a performance of x-factor charm, yes, but also wounded human complexity.
Dujardin’s urbane star quality isn’t the likeliest of matches for Delépine and Kervern, a cheerfully...
Dujardin’s urbane star quality isn’t the likeliest of matches for Delépine and Kervern, a cheerfully...
- 8/11/2018
- by Guy Lodge
- Variety - Film News
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