The six scores vying for this year’s Emmy for music composition for a limited series, movie or special range from 19th-century tales of Canada and the Old West to futuristic stories of androids and virtual reality. There’s even a documentary about emperor penguins.
Alias Grace
For this six-part Netflix drama based on a Margaret Atwood novel about a possible murderess in 1859 Canada, composers Mychael Danna and Jeff Danna wanted to “honor the time but put our own spin on it,” says Jeff. “We thought it needed a postmodern chamber sound”: just 12 strings, three woodwinds, harp and piano.
Oscar winner Mychael (“Life of Pi”), who has known writer-producer Sarah Polley for more than 20 years, adds: “We did write in period style, but with elements of minimalism and even trance music, using instruments that the characters in the story would have been familiar and comfortable with.”
Black Mirror
The...
Alias Grace
For this six-part Netflix drama based on a Margaret Atwood novel about a possible murderess in 1859 Canada, composers Mychael Danna and Jeff Danna wanted to “honor the time but put our own spin on it,” says Jeff. “We thought it needed a postmodern chamber sound”: just 12 strings, three woodwinds, harp and piano.
Oscar winner Mychael (“Life of Pi”), who has known writer-producer Sarah Polley for more than 20 years, adds: “We did write in period style, but with elements of minimalism and even trance music, using instruments that the characters in the story would have been familiar and comfortable with.”
Black Mirror
The...
- 8/15/2018
- by Jon Burlingame
- Variety Film + TV
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