Review by Roger Carpenter
Before Joe D’Amato became Joe D’Amato, he was Aristide Massaccesi, a respected cinematographer and camera operator. As such, he was largely responsible for the look of films ranging from low-budget spaghetti westerns to gialli such as Umberto Lenzi’s A Quite Place to Kill and, most famously, Massimo Dallamano’s What Have You Done to Solange. Massaccesi first co-directed several small films before directing the war film Heroes in Hell as well as the giallo Death Smiles on a Murderer, both in 1973.
But D’Amato, who would use his famous pseudonym for the first time in 1975, would become (in)famous for his extreme horror titles and adult films beginning in the late 70’s and continuing until his death in 1999. He is perhaps most famous for his string of over-the-top gorefests like Beyond the Darkness (Aka Buio Omega), Anthropophagus, and Absurd as well as his...
Before Joe D’Amato became Joe D’Amato, he was Aristide Massaccesi, a respected cinematographer and camera operator. As such, he was largely responsible for the look of films ranging from low-budget spaghetti westerns to gialli such as Umberto Lenzi’s A Quite Place to Kill and, most famously, Massimo Dallamano’s What Have You Done to Solange. Massaccesi first co-directed several small films before directing the war film Heroes in Hell as well as the giallo Death Smiles on a Murderer, both in 1973.
But D’Amato, who would use his famous pseudonym for the first time in 1975, would become (in)famous for his extreme horror titles and adult films beginning in the late 70’s and continuing until his death in 1999. He is perhaps most famous for his string of over-the-top gorefests like Beyond the Darkness (Aka Buio Omega), Anthropophagus, and Absurd as well as his...
- 8/20/2018
- by Movie Geeks
- WeAreMovieGeeks.com
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