Who needs a middle man’s subjectivity when you have algorithms predicting what people will like? Critics don’t matter much in Olivier Assayas’ talkative Non-Fiction, but they are not the only supposedly anachronistic relic to be thrown out of the window in this gentle and profoundly compassionate human comedy that draws from the ever-widening rift between old and new trends in the publishing industry to conjure up a tale of societal changes–and people caught in between them.
Nurturing a collaboration that fathered prior gems such as Summer Hours (2008) and the more recent Clouds of Sils Maria (2014), Non-Fiction adds another entry to the list of Assayas–Binoche duets, with the French muse still starring as an actress–albeit downgraded from the Clouds’ arthouse charmer to policewoman in a TV series of dubious quality. But Juliette Binoche no longer serves as the plot’s gravitating center, sharing the spotlight with...
Nurturing a collaboration that fathered prior gems such as Summer Hours (2008) and the more recent Clouds of Sils Maria (2014), Non-Fiction adds another entry to the list of Assayas–Binoche duets, with the French muse still starring as an actress–albeit downgraded from the Clouds’ arthouse charmer to policewoman in a TV series of dubious quality. But Juliette Binoche no longer serves as the plot’s gravitating center, sharing the spotlight with...
- 9/8/2018
- by Leonardo Goi
- The Film Stage
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