The French Publisher’s Wife: Assayas Straddles Digital Criminals and Corporate Cannibals in Playful Bon Mot
Hardly a stranger to the back room wheeling and dealing of industry, whether it’s the faux porn producers at the heart of Demonlover (2002), high fashion’s supporting players in 2016’s Personal Shopper (which also examines how modern technology dictates our lives) or the internecine fall-out between an actress and her assistant in Clouds of Sils Maria (review), Olivier Assayas applies his interests in publishing with his latest film Non-Fiction. A behind-the-scenes portrait of an industry still struggling to transition between digital and print, Assayas collaborates for the third time with Juliette Binoche, starring as a successful television actress as equally uncertain of her future as her publisher husband is of his.…...
Hardly a stranger to the back room wheeling and dealing of industry, whether it’s the faux porn producers at the heart of Demonlover (2002), high fashion’s supporting players in 2016’s Personal Shopper (which also examines how modern technology dictates our lives) or the internecine fall-out between an actress and her assistant in Clouds of Sils Maria (review), Olivier Assayas applies his interests in publishing with his latest film Non-Fiction. A behind-the-scenes portrait of an industry still struggling to transition between digital and print, Assayas collaborates for the third time with Juliette Binoche, starring as a successful television actress as equally uncertain of her future as her publisher husband is of his.…...
- 5/4/2019
- by Nicholas Bell
- IONCINEMA.com
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