This story about “The Other Side of the Wind” first appeared in the Race Begins issue of TheWrap’s Oscar magazine.
Peter Bogdanovich was at home on a Monday morning in 1970 when he got a call from his friend Orson Welles. “What are you doing on Thursday?” Welles said to Bogdanovich, a critic, film scholar and occasional actor just venturing into directing.
“I’m flying to Texas to make ‘The Last Picture Show,'” said Bogdanovich, whose career would explode with that classic film.
Welles was undeterred. “What time are you leaving?” he said. “Three o’clock,” Bogdanovich said. “Good,” said Welles. “Meet me on that road by the airport at noon.”
Nearly 40 years later, Bogdanovich chuckles thinking of the conversation. “I said to Orson, ‘What are you doing?'” he said. “He had read the script to ‘The Last Picture Show’ and referred to it as a dirty picture.
Peter Bogdanovich was at home on a Monday morning in 1970 when he got a call from his friend Orson Welles. “What are you doing on Thursday?” Welles said to Bogdanovich, a critic, film scholar and occasional actor just venturing into directing.
“I’m flying to Texas to make ‘The Last Picture Show,'” said Bogdanovich, whose career would explode with that classic film.
Welles was undeterred. “What time are you leaving?” he said. “Three o’clock,” Bogdanovich said. “Good,” said Welles. “Meet me on that road by the airport at noon.”
Nearly 40 years later, Bogdanovich chuckles thinking of the conversation. “I said to Orson, ‘What are you doing?'” he said. “He had read the script to ‘The Last Picture Show’ and referred to it as a dirty picture.
- 11/16/2018
- by Steve Pond
- The Wrap
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