In the competitive Best Sound Editing race, complex Dolby Atmos technology is a factor in creating immersive soundscapes.
Damien Chazelle’s “First Man” recreates laconic Neil Armstrong’s (Ryan Gosling) journey to the historic moon landing in 1969, from teeth-rattling and dangerous supersonic test flights and documentary-like Houston home life to rocket blasts into space. “La La Land” carryovers — editor Tom Cross, composer Justin Hurwitz, and supervising sound editors Mildred Iatrou and Ai-Ling Lee — achieve a tactile, visceral impact, along with an otherworldliness.
“A Quiet Place” offers a unique soundscape that drives the propulsive narrative. Indeed, filmmaker and star John Krasinski’s horror hit is all about sound and makes brilliant use of silence as a storytelling device. And all the better in Dolby Atmos, in which we become totally immersed in the sonic terror. Make a loud noise and the creatures will pounce and kill you. So it’s not...
Damien Chazelle’s “First Man” recreates laconic Neil Armstrong’s (Ryan Gosling) journey to the historic moon landing in 1969, from teeth-rattling and dangerous supersonic test flights and documentary-like Houston home life to rocket blasts into space. “La La Land” carryovers — editor Tom Cross, composer Justin Hurwitz, and supervising sound editors Mildred Iatrou and Ai-Ling Lee — achieve a tactile, visceral impact, along with an otherworldliness.
“A Quiet Place” offers a unique soundscape that drives the propulsive narrative. Indeed, filmmaker and star John Krasinski’s horror hit is all about sound and makes brilliant use of silence as a storytelling device. And all the better in Dolby Atmos, in which we become totally immersed in the sonic terror. Make a loud noise and the creatures will pounce and kill you. So it’s not...
- 12/2/2018
- by Bill Desowitz
- Indiewire
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