With Christmas around the corner, this is the last official If newsletter for 2018.
It’s been our pleasure to report on a busy year, which saw Australian films perform respectably at the box office despite a crowded market and often limited P&A spend. Peter Rabbit, Ladies in Black and Breath were all commercial hits. Screen Australia’s Indigenous department turned 25, and stories from Indigenous filmmakers – like Sweet Country and Mystery Road – dominated the year, capturing both audiences and acclaim. In TV, shows like Mr Inbetween and Harrow resonated internationally. Our emerging filmmakers also speak to a bright future, with Charles Williams’ All These Creatures winning the Cannes Film Festival Short Film Palme d’Or, and Andrew Goldsmith and Bradley Slabe’s short animation Lost & Found shortlisted for an Oscar just today.
And of course, the industry continued to debate policy settings, grapple with digital disruption, and try to promote safer,...
It’s been our pleasure to report on a busy year, which saw Australian films perform respectably at the box office despite a crowded market and often limited P&A spend. Peter Rabbit, Ladies in Black and Breath were all commercial hits. Screen Australia’s Indigenous department turned 25, and stories from Indigenous filmmakers – like Sweet Country and Mystery Road – dominated the year, capturing both audiences and acclaim. In TV, shows like Mr Inbetween and Harrow resonated internationally. Our emerging filmmakers also speak to a bright future, with Charles Williams’ All These Creatures winning the Cannes Film Festival Short Film Palme d’Or, and Andrew Goldsmith and Bradley Slabe’s short animation Lost & Found shortlisted for an Oscar just today.
And of course, the industry continued to debate policy settings, grapple with digital disruption, and try to promote safer,...
- 12/18/2018
- by jkeast
- IF.com.au
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