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The Art of the Fugue: "Textes Critiques" Collects Jacques Rivette's Criticism

Jean-Luc Godard quipped that his criticism represented a kind of cinematic terrorism. Serge Daney said his writing taught him not to be afraid to see. The Parisian publishing house Post-Éditions has made available a long overdue collection of his articles in French to decide for ourselves. Jacques Rivette became a filmmaker even before he became a critic. When he came to Paris from Rouen in 1950, he had already completed a short film, unlike Truffaut, Godard, Rohmer or Chabrol, his colleagues-to-be at Cahiers du cinéma and later fellow New Wave directors. By his own admission, he never wanted to be a film critic, not in the traditional sense of the term. But, considering his own dictum that “a true critique of a film can only be another film,” he never ceased to be one. Textes Critiques as an object has the appearance of a cinephilic totem: half-a foot in size, portable,

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