Save for a pair of recent back-to-back discrepancies in “The Big Short” and “La La Land,” the Producers Guild’s Darryl F. Zanuck Award for Theatrical Motion Pictures has been a fairly reliable barometer for the annual Oscar season outcome. At least, ever since both the PGA and film Academy expanded their top categories, sharing the ever mysterious preferential ballot for determining nominees and winners, it’s been safe to say whatever wins the producers’ honor is your best picture frontrunner.
Well, with a victory at the Beverly Hilton Saturday night, Peter Farrelly’s “Green Book” is now your best picture frontrunner.
Universal and Participant Media’s heartfelt race relations drama — which has been through the ringer multiple times this season, weathering criticism that it’s antiquated, that it’s a regressive choice in the year of films like “BlacKkKlansman,” “Black Panther” and “If Beale Street Could Talk,” that it...
Well, with a victory at the Beverly Hilton Saturday night, Peter Farrelly’s “Green Book” is now your best picture frontrunner.
Universal and Participant Media’s heartfelt race relations drama — which has been through the ringer multiple times this season, weathering criticism that it’s antiquated, that it’s a regressive choice in the year of films like “BlacKkKlansman,” “Black Panther” and “If Beale Street Could Talk,” that it...
- 1/20/2019
- by Kristopher Tapley
- Variety Film + TV
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