Watts the Matter with Naomi?: Griffin Mines Madness in All-Consuming Character Study
Director Alistair Banks Griffin revisits one helluva hot summer in the city with his highly anticipated sophomore feature The Wolf Hour, arriving nearly a decade after his lauded 2010 debut Two Gates of Sleep. A woman named June seems to be dying a slow death in a dirty hovel during July of 1977 in the South Bronx. A staggering heat wave aggravates a city already ill at ease, violent tendencies birthing the onslaught of serial killer David Berkowitz’s infamous Summer of Sam, and we’re introduced to an unrelentingly grim landscape which seems to be absorbing its protagonist, a troubled woman suffering from agoraphobia while a decade-old trauma continues to haunt her.…...
Director Alistair Banks Griffin revisits one helluva hot summer in the city with his highly anticipated sophomore feature The Wolf Hour, arriving nearly a decade after his lauded 2010 debut Two Gates of Sleep. A woman named June seems to be dying a slow death in a dirty hovel during July of 1977 in the South Bronx. A staggering heat wave aggravates a city already ill at ease, violent tendencies birthing the onslaught of serial killer David Berkowitz’s infamous Summer of Sam, and we’re introduced to an unrelentingly grim landscape which seems to be absorbing its protagonist, a troubled woman suffering from agoraphobia while a decade-old trauma continues to haunt her.…...
- 12/6/2019
- by Nicholas Bell
- IONCINEMA.com
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