A young working-class woman in London barely has the mechanisms to cope with a horrific acid attack that’s left her face permanently scarred in “Dirty God,” the first English-language feature from Dutch director Sacha Polak. Neatly fitting into Polak’s liberatingly frank takes on female sexuality, the film boasts a stand-out performance from newcomer Vicky Knight and an unflinching portrait of a strong-willed yet immature protagonist facing a radical change in how the world looks at her as well as how she sees herself. While the script’s insistence on transforming the character from victim to resolute survivor doesn’t fully wash, its bold treatment of an unapologetic woman from the projects will play well on independent screens.
Never one to shy away from images traditionally considered unsettling, Polak opens with widescreen close-ups of acid-damaged flesh, the camera capturing the mass of ravaged, puckered tissue covered in shallow dendrite-like ridges.
Never one to shy away from images traditionally considered unsettling, Polak opens with widescreen close-ups of acid-damaged flesh, the camera capturing the mass of ravaged, puckered tissue covered in shallow dendrite-like ridges.
- 1/28/2019
- by Jay Weissberg
- Variety Film + TV
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