Jon Frosch Now that we’re recovering from the whirlwind of screenings, schlepping and sleep deprivation that is the Sundance Film Festival, let’s look back. The question frequently posed among friends and colleagues during the fest is: Is it a good year?
It’s a tricky one to answer. While some editions are almost indisputably strong (2017 comes to mind, with exciting breakouts like Call Me by Your Name, Get Out, Mudbound and The Big Sick, as well as lower-profile beauties like God’s Own Country and the doc Quest), most are harder to define qualitatively. The volume and variety of selections at Sundance ...
It’s a tricky one to answer. While some editions are almost indisputably strong (2017 comes to mind, with exciting breakouts like Call Me by Your Name, Get Out, Mudbound and The Big Sick, as well as lower-profile beauties like God’s Own Country and the doc Quest), most are harder to define qualitatively. The volume and variety of selections at Sundance ...
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