There is something to be said for unbridled ambition. No matter its accepted outcome, no matter how it scores at the box office or what instantaneous praise it receives, a film can still be admired for its fearless commitment to scope and the best of its intentions. If it’s passionately executed with personal conviction, even a faulty feature can be respected for aspiration alone. And if said film happens to also be very good, so much the better. This, on more than one occasion, has defined the best of Bernardo Bertolucci, a filmmaker who thrived in the realization of such grand cinematic enterprise. From Before the Revolution (1964) to Last Tango in Paris (1972), from The Conformist (1970) to The Dreamers (2003), his films have been fortified by a visual potency and an overt thematic prominence—big ideas, brazenly presented. Even when they’re a tad self-important, the stirring spirit of his work is impressively demonstrable.
- 2/22/2019
- MUBI
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