Another slate of high-profile Broadway arrivals hit the street last week, with much anticipated productions like Burn This, Hillary and Clinton, What the Constitution Means to Me and Gary: A Sequel To Titus Andronicus adding both money to the till and words (so many words) to the district’s marquees.
In all, box office receipts for the 34 productions (three more than the previous week) were up 9% to $32,944,573, with attendance taking a commensurate 6% hike to 288,544. Average ticket price for a Broadway seat during the season’s Week 42 (ending March 17) was $114, a few bucks more than the previous week.
Let’s start with the recent arrivals: Kiss Me, Kate opened March 14 to fine reviews at Studio 54, with stars Kelli O’Hara and Will Chase playing to Sro houses. Press seats and opening night comps, along with the non-profit Roundabout’s subscription-heavy base, kept grosses at $681,659, an increase over the previous week and about 68% of full-price potential.
In all, box office receipts for the 34 productions (three more than the previous week) were up 9% to $32,944,573, with attendance taking a commensurate 6% hike to 288,544. Average ticket price for a Broadway seat during the season’s Week 42 (ending March 17) was $114, a few bucks more than the previous week.
Let’s start with the recent arrivals: Kiss Me, Kate opened March 14 to fine reviews at Studio 54, with stars Kelli O’Hara and Will Chase playing to Sro houses. Press seats and opening night comps, along with the non-profit Roundabout’s subscription-heavy base, kept grosses at $681,659, an increase over the previous week and about 68% of full-price potential.
- 3/18/2019
- by Greg Evans
- Deadline Film + TV
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