The 2011 film “Hanna” was a delicious surprise. Directed by prestige moviemaker Joe Wright, “Hanna” played like an artist’s frantic attempt to cram in all the wild impulses he wasn’t allowed elsewhere, while retaining a certain fundamental elegance. Saoirse Ronan played a teen trained from childhood to be a killing machine for reasons that never quite become clear. Engaged in cat-and-mouse warfare with Cate Blanchett’s compulsive CIA officer, Ronan’s Hanna sprinted through dazzlingly constructed frames as a propulsive techno score (composed by the Chemical Brothers) blared — and the movie never lost its balance or its control.
That filmic achievement, the ability to remain upright in the midst of mania, is what makes Amazon’s new series adaptation of “Hanna” so disappointing. The new show lacks the glimmering creativity of its source material, and, perversely enough, it manages to feel overstuffed despite its relative lack of inventive flourishes.
That filmic achievement, the ability to remain upright in the midst of mania, is what makes Amazon’s new series adaptation of “Hanna” so disappointing. The new show lacks the glimmering creativity of its source material, and, perversely enough, it manages to feel overstuffed despite its relative lack of inventive flourishes.
- 3/20/2019
- by Daniel D'Addario
- Variety Film + TV
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