In the extensive filmography of director Allan Dwan, there’s perhaps no more glorious period of his filmmaking than his DeLuxe color film noir period of the 1950’s. Following on the heels of the tawdry Slightly Scarlet, which featured red-heads Arlene Dahl and Rhonda Fleming squaring off with John Payne, Dwan inverts the ménage a toi for The River’s Edge utilizing another red-head, Debra Paget, positioned between the amorous interests of Anthony Quinn and Ray Milland in one of his most sinister on-screen personas. Like a cross between Joseph Pevney’s Fox Fire (1955) and the classic The Postman Always Rings Twice (1946), a beautiful woman finds herself indebted to her husband while languishing in a rural backwater, this time a New Mexican ranch.…...
- 4/16/2019
- by Nicholas Bell
- IONCINEMA.com
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