We are still in the beginning phases of a reckoning with toxic masculinity that may take years to dismantle, and yet there is a persistent desire to move past it and to attempt to understand the problematic male genius on screen. We’re currently seeing it on the small screen in the new FX series “Fosse/Verdon,” and now on the big screen with “The White Crow.” And it is a chore to get through both.
The Ralph Fiennes-directed movie aims to illuminate the life of ballet dancer Rudolf Nureyev (Oleg Ivenko), who left his poverty-stricken childhood in the Soviet Union behind in 1961, in the midst of its tumultuous political climate, to defect to the west in Paris. Fiennes and screenwriter David Hare are very deliberate about showing us, through flashbacks, his Saint Petersburg upbringing, where he and his three sisters shared one bed and their mother ventured out in...
The Ralph Fiennes-directed movie aims to illuminate the life of ballet dancer Rudolf Nureyev (Oleg Ivenko), who left his poverty-stricken childhood in the Soviet Union behind in 1961, in the midst of its tumultuous political climate, to defect to the west in Paris. Fiennes and screenwriter David Hare are very deliberate about showing us, through flashbacks, his Saint Petersburg upbringing, where he and his three sisters shared one bed and their mother ventured out in...
- 4/23/2019
- by Candice Frederick
- The Wrap
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