You should never take for granted a documentary that fills in the basics with flair and feeling. Especially when the basics consist of great big gobs of some of the most revolutionary and exhilarating popular art ever created in this country. Roger Ross Williams’ documentary “The Apollo,” which kicked off the Tribeca Film Festival on a note of soulful celebration, fills in the 85-year history of the 1,506-seat show palace on 125th St. in Harlem that changed black culture and changed American culture. The movie brings off that feat in a bracing and moving way: by flowing back and forth between past and present, performance and political activism, so that by the end we know in our bones how false it would be separate them.
Countless astonishing spectacles of black expression were experienced, for the first time, on the Apollo stage. But in “The Apollo,” an event that stands out...
Countless astonishing spectacles of black expression were experienced, for the first time, on the Apollo stage. But in “The Apollo,” an event that stands out...
- 4/25/2019
- by Owen Gleiberman
- Variety Film + TV
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