Before kicking off his on-stage interview with Francis Ford Coppola following the Tribeca Film Festival premiere of Coppola’s seminal “Apocalypse Now: Final Cut,” fellow director Steven Soderbergh took a moment to recognize one of the film’s key collaborators who was seated in the sold-out Beacon Theater audience. “His onscreen credits don’t really describe fully his influence or his abilities,” Soderbergh told the crowd. “He’s a filmmaker in his own right, an author, he’s also, for a lot of people of my generation and yours [Coppola], a sound and image guru: Walter Murch.”
Fittingly enough, just one night later, the first documentary about Hollywood sound design, “Making Waves,” also premiered at Tribeca, in which Murch’s colleagues make the full-throated case that he is the godfather of the modern movie sound. Like his closest collaborators, Coppola and George Lucas, Murch had the unusual distinction of not only...
Fittingly enough, just one night later, the first documentary about Hollywood sound design, “Making Waves,” also premiered at Tribeca, in which Murch’s colleagues make the full-throated case that he is the godfather of the modern movie sound. Like his closest collaborators, Coppola and George Lucas, Murch had the unusual distinction of not only...
- 4/30/2019
- by Chris O'Falt
- Indiewire
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