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Working in concert by Anne-Katrin Titze

Ira Spiegel on Brian DePalma's Carlito's Way: "A wonderful effects film with a grand shootout in Grand Central Terminal. Sound editors love violence and noise." Photo: Anne-Katrin Titze

When I met with Aviva Kempner, the director of The Spy Behind Home Plate, at Soundtracks F/T, where she and Martin Scorsese mainstay re-recording mixer Tom Fleischman were putting in the final touches on her documentary, I had the chance to borrow her sound editor Ira Spiegel (Ken Burns's longtime collaborator) for a short while to clue me in on his work in creating the velvety flow of the picture.

Ira Spiegel with Aviva Kempner while re-recording mixer Tom Fleischman works on The Spy Behind Home Plate. Photo: Anne-Katrin Titze

Steven Spielberg's Saving Private Ryan and Carroll Ballard's The Black Stallion, executive produced...

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