Jessica Hausner’s English-language debut Little Joe promises a crossbreed of shrewd science fiction and health care satire, but it scuppers its genre creds in exchange for a sterile arthouse drama that rather muddles its conceit.
Emily Beecham, so good as a bohemian partier in the British flick Dafne, plays Alice, a fastidious employee at a faceless corporation that makes genetically-modified natural remedies. Alice is the creator of a new blood-red flower that changes its scent to make its owner happy, with supposedly antidepressant properties, for a world in the thrall of a mental health crisis. It could make her bosses very rich, but is this to be one of those tales when man plays God and it all goes wrong?
A workaholic, Alice has a difficult, distant relationship with her teenage son Joe (a compelling Kit Connor) and as some sort of recompense for her neglect christens her new plant Little Joe,...
Emily Beecham, so good as a bohemian partier in the British flick Dafne, plays Alice, a fastidious employee at a faceless corporation that makes genetically-modified natural remedies. Alice is the creator of a new blood-red flower that changes its scent to make its owner happy, with supposedly antidepressant properties, for a world in the thrall of a mental health crisis. It could make her bosses very rich, but is this to be one of those tales when man plays God and it all goes wrong?
A workaholic, Alice has a difficult, distant relationship with her teenage son Joe (a compelling Kit Connor) and as some sort of recompense for her neglect christens her new plant Little Joe,...
- 5/21/2019
- by Ed Frankl
- The Film Stage
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