Arthur Bressan, Jr.Queer cinema in America is not without a sense of loss. In trying to bridge a period of censorship and queer coding (whether in compliance to censors or deliberately transmitting some kind of film language that reads queer without explicitly stating so) to New Queer Cinema and post-New Queer Cinema of today, there is an acceptance and resignation that what pervades a considerable period of queer cinema history is absence, something missing. It is the what could have been: art that was not made because it could not be made, as those who would have were dead. The lost lives and lost potential of HIV/AIDS among artists in the 1980s eidolically looms over queer cinema. But there was still art being made and artists to celebrate. Predating the AIDS epidemic, there was the post-Stonewall art, art of queer liberation that was highly political, a lot of...
- 6/23/2019
- MUBI
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