Hong Kong has a rich and renowned cinematic history. From time to time, filmmakers pick up the precarious political relationship to mainland China. 1997, only a few months after the city returned to Chinese rule, Fruit Chan released “Made in Hong Kong”. The pessimistic indie flick marks the beginning of Fruit’s unofficial trilogy about Hong Kong in the late 90s, entering a new era. “The Longest Summer” (1998) is seen as the second contribution to the series and finally, in 2001, “Little Cheung” concludes the trilogy.
“Little Cheung” looks back at the time shortly before the reunification with China. A nine-year-old boy lives in a poor neighboorhood of Hong Kong and delivers food of his father’s restaurant to an often shady triad clientele. He encounters a little immigrant girl named Fan and they start spending time together and begin a quest for Little Cheung’s lost brother.
The...
“Little Cheung” looks back at the time shortly before the reunification with China. A nine-year-old boy lives in a poor neighboorhood of Hong Kong and delivers food of his father’s restaurant to an often shady triad clientele. He encounters a little immigrant girl named Fan and they start spending time together and begin a quest for Little Cheung’s lost brother.
The...
- 5/9/2021
- by Alexander Knoth
- AsianMoviePulse
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