Write what you know, they say. But because Fred Durst once had a bad experience with a stalker, we now get the rank human patty that is the Limp Bizkit frontman and sometime director’s latest indulgence “The Fanatic,” a celebrity-terrorizing scenario that wants to be “Misery” but only creates misery.
Durst didn’t necessarily embarrass himself 10 years ago when he released his directorial debut, the admirably sensitive college drama “The Education of Charlie Banks”; he didn’t write the film, nor did his effort suggest hidden reserves of cinematic promise. “The Fanatic,” however, which Durst did have a hand in writing, is a brainless, exploitative folly which gives John Travolta free rein to mine the history of cringe-worthy autism portrayals for an offensively garish Frankenstein pantomime of unhinged obsession. It ultimately suggests this side-career of Durst’s should be well and truly snuffed out.
Travolta plays a childlike ultra-fan called The Moose,...
Durst didn’t necessarily embarrass himself 10 years ago when he released his directorial debut, the admirably sensitive college drama “The Education of Charlie Banks”; he didn’t write the film, nor did his effort suggest hidden reserves of cinematic promise. “The Fanatic,” however, which Durst did have a hand in writing, is a brainless, exploitative folly which gives John Travolta free rein to mine the history of cringe-worthy autism portrayals for an offensively garish Frankenstein pantomime of unhinged obsession. It ultimately suggests this side-career of Durst’s should be well and truly snuffed out.
Travolta plays a childlike ultra-fan called The Moose,...
- 8/26/2019
- by Robert Abele
- The Wrap
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