The dominant theme with this selection of short films seems a bit off the mark since, as I’ve remarked elsewhere, this year’s selection has more narrative and narrative-adjacent works than I’ve noticed in past iterations. But it’s true, Wavelengths 4 does focus on aspects of performance, and this is the first time that overt humor has reared its head, which is something. In previous years I might have used this space to talk about the series as a whole, or make some kind of assessment about where the field looks like it may be going. But as someone who is now attempting (clunkily) to do programming myself, I will only say, it’s a hard job, and as always, Andréa Picard is to be congratulated for pulling it all together. Oh, I have included an extra review, of a Wavelengths short playing elsewhere in the festival. Enjoy.
- 9/10/2019
- MUBI
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