Animation can be a tough venture for filmmakers: The target audience tends to be young children, who simultaneously have a limited attention span while still demanding entertainment at every corner. But then if the story is too juvenile or too preachy, or if the animation itself isn’t eye-catching, then you lose the parents, the all-important keepers of the wallet. And even when an animated film becomes an exquisite piece of cinema, their audiences aren’t necessarily going to run out and buy a stuffed yeti plush afterward.
Writer-director Jill Culton (“Open Season”) understands this mix of priorities, and her latest film “Abominable” falls somewhere in the middle of it all, with a story that’s sweet but formulaic, jokes that are juvenile but not annoying, and the use of gorgeous colors and textures. Nothing here truly changes animation, and yet, you can’t help but walk out of the...
Writer-director Jill Culton (“Open Season”) understands this mix of priorities, and her latest film “Abominable” falls somewhere in the middle of it all, with a story that’s sweet but formulaic, jokes that are juvenile but not annoying, and the use of gorgeous colors and textures. Nothing here truly changes animation, and yet, you can’t help but walk out of the...
- 9/26/2019
- by Yolanda Machado
- The Wrap
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