After reaching a career high with the gripping “In the Fade,” which won Best Actress laurels for Diane Krueger at Cannes as well as the Golden Globe for Best Foreign Language Film, Fatih Akin regresses considerably with “The Golden Glove.”
His latest is yet another in a long line of serial-killer dramas under the impression that it needs to be as ugly as its subject in order to be authentic, ultimately serving as further proof that verisimilitude isn’t a virtue in and of itself. In attempting to tell the story of notorious German murderer Fritz Honka, the film inadvertently succeeds in affirming that some things are better left to the imagination.
Honka’s exploits were infamous among those who frequented Hamburg’s red-light district in the ’70s, though he himself remained unknown until after the bodies of four prostitutes were discovered in his attic apartment. Neither Akin nor star...
His latest is yet another in a long line of serial-killer dramas under the impression that it needs to be as ugly as its subject in order to be authentic, ultimately serving as further proof that verisimilitude isn’t a virtue in and of itself. In attempting to tell the story of notorious German murderer Fritz Honka, the film inadvertently succeeds in affirming that some things are better left to the imagination.
Honka’s exploits were infamous among those who frequented Hamburg’s red-light district in the ’70s, though he himself remained unknown until after the bodies of four prostitutes were discovered in his attic apartment. Neither Akin nor star...
- 9/26/2019
- by Michael Nordine
- The Wrap
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