Orchestras are indie rock’s new Marshall stacks. That’s fitting on a lot of levels — as a satisfying class-action appropriation of elitist cultural tropes, as a deconstruction of those same tropes, and as an elevation of collectivism over American myths of individualism and exceptionalism that’ve lately been twisted into such ugly shapes. Also: done right, orchestrations just sound dope. There’s plenty of ‘em done right on Angel Olsen’s latest, All Mirrors, her best record yet in an excellent ouevre, giving her goth-folk drama queen tendencies room to roam far and wide.
- 10/2/2019
- by Will Hermes
- Rollingstone.com
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