From “Bridget Jones’s Diary” to “Mr. Bean,” Working Title has for the past three and a half decades helped ensure that the sun never sets on British pop culture.
The leaders of the London-based film and television production company, Tim Bevan and Eric Fellner, have been important emissaries from across the pond, backing stories that resonate with global audiences.
Be they quirky rom-coms or costume-heavy historical epics, their films have enjoyed commercial and critical success. Since it was founded in 1984, Working Title has produced more than 100 features, which have generated $8 billion globally. They have been nominated for 86 Oscars and won 14 statuettes.
Despite its sterling track record, the company, housed in Central London offices near the West End, is an anomaly in today’s movie business. The films that form the spine of its reputation, such as “Four Weddings and a Funeral,” “Notting Hill” and “Billy Elliot,” are part of a vanishing style of moviemaking.
The leaders of the London-based film and television production company, Tim Bevan and Eric Fellner, have been important emissaries from across the pond, backing stories that resonate with global audiences.
Be they quirky rom-coms or costume-heavy historical epics, their films have enjoyed commercial and critical success. Since it was founded in 1984, Working Title has produced more than 100 features, which have generated $8 billion globally. They have been nominated for 86 Oscars and won 14 statuettes.
Despite its sterling track record, the company, housed in Central London offices near the West End, is an anomaly in today’s movie business. The films that form the spine of its reputation, such as “Four Weddings and a Funeral,” “Notting Hill” and “Billy Elliot,” are part of a vanishing style of moviemaking.
- 12/12/2019
- by Brent Lang
- Variety Film + TV
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