Ronald Neame remains somewhat of an underrated, incredibly multi-faceted figure from the annals of classic British cinema. Beginning as a writer/producer/cinematographer for David Lean, Neame began his directorial debut in the late 1940s and stretched into the mid-1980s.
Twice competing at Cannes (his 1969 Muriel Sparks adaptation of The Prime of Miss Jean Brodie won Maggie Smith her first Oscar), his work ranged from film noir (the Locarno entry The Golden Salamander) and twice went to Venice, with 1958’s The Horse’s Mouth and 1960’s underappreciated post-wwii drama Tunes of Glory, one of three Neame titles to join the Criterion Collection (including The Horse’s Mouth and Hopscotch), and won John Mills Best Actor in Venice while scribe James Kennaway nabbed an Oscar for Best Adapted Screenplay (from his own novel).…...
Twice competing at Cannes (his 1969 Muriel Sparks adaptation of The Prime of Miss Jean Brodie won Maggie Smith her first Oscar), his work ranged from film noir (the Locarno entry The Golden Salamander) and twice went to Venice, with 1958’s The Horse’s Mouth and 1960’s underappreciated post-wwii drama Tunes of Glory, one of three Neame titles to join the Criterion Collection (including The Horse’s Mouth and Hopscotch), and won John Mills Best Actor in Venice while scribe James Kennaway nabbed an Oscar for Best Adapted Screenplay (from his own novel).…...
- 12/31/2019
- by Nicholas Bell
- IONCINEMA.com
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