This review of “The Nowhere Inn” was first published after the film’s premiere at the 2020 Sundance Film Festival.
“The Nowhere Inn” — a new meta-concert doc produced, written by and starring Sleater-Kinney’s Carrie Brownstein and Annie “St. Vincent” Clark — is a collection of comedic and musical sketches that are not funny, weird or thoughtful enough to sell its creators’ insistent, but mostly trite and undeveloped, ideas about the performative nature of self-fashioning and creative authenticity.
Directed by Bill Benz (Brownstein’s semi-regular “Portlandia” collaborator), “The Nowhere Inn” is initially presented as a dramatized version of Brownstein and Clark’s real-life attempts at filming a St. Vincent concert movie. So at the start, the movie’s sketchier qualities appear to reflect both the surreal emotional peaks and troughs of a live musical tour.
Unfortunately, the movie’s cringe humor-style gags are mostly thin and monotonous, and even a few psychedelic...
“The Nowhere Inn” — a new meta-concert doc produced, written by and starring Sleater-Kinney’s Carrie Brownstein and Annie “St. Vincent” Clark — is a collection of comedic and musical sketches that are not funny, weird or thoughtful enough to sell its creators’ insistent, but mostly trite and undeveloped, ideas about the performative nature of self-fashioning and creative authenticity.
Directed by Bill Benz (Brownstein’s semi-regular “Portlandia” collaborator), “The Nowhere Inn” is initially presented as a dramatized version of Brownstein and Clark’s real-life attempts at filming a St. Vincent concert movie. So at the start, the movie’s sketchier qualities appear to reflect both the surreal emotional peaks and troughs of a live musical tour.
Unfortunately, the movie’s cringe humor-style gags are mostly thin and monotonous, and even a few psychedelic...
- 9/16/2021
- by Simon Abrams
- The Wrap
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