“Everybody smile and say ‘cinema,'” young Myroslava Trofymchuk instructs several Ukrainian soldiers, as they obligingly pose and perform for her camera, their brawny tank reduced to a prop in the rubbly, wintry background. It’s the only time we see the masculine agents of conflict in “The Earth Is Blue as an Orange,” a documentary with its multiple lenses otherwise turned entirely on the women and children living through the War in Donbass. Under the fledgling filmmaker’s direction, however, the soldiers briefly become benevolent players in her vision of life under siege in Ukraine, where cinema sometimes feels like all she has to smile about; a momentary memory of kindness and goodwill is fashioned from the ashes of damage and trauma.
Trofymchuk is not the director of “The Earth Is Blue as an Orange”: That task falls to Kyiv-based poet and filmmaker Iryna Tsilyk, though as she...
Trofymchuk is not the director of “The Earth Is Blue as an Orange”: That task falls to Kyiv-based poet and filmmaker Iryna Tsilyk, though as she...
- 2/19/2020
- by Guy Lodge
- Variety Film + TV
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