There was a time not long ago when any talk of Greek cinema quickly turned to a movement loosely characterized as the Greek Weird Wave, known for a certain deadpan aesthetic that was popularized with the breakout success of Yorgos Lanthimos (“Dogtooth”) and Athina Rachel Tsangari (“Attenberg”).
That has changed, if the label ever truly fit to begin with. “I don’t believe that there is a specific Greek wave,” says Christos Nikou, whose debut feature, “Apples,” about a lonely man who becomes a victim of an unexplained surge of amnesia in his city, is being sold by Alpha Violet during the Cannes virtual market.
“My intention was to make a movie more close to the cinema I love as a viewer,” he continues. “Movies that create their own worlds and have conceptual ideas and at the same time have an unusual and complete story to narrate.”
It’s an artistic vision that,...
That has changed, if the label ever truly fit to begin with. “I don’t believe that there is a specific Greek wave,” says Christos Nikou, whose debut feature, “Apples,” about a lonely man who becomes a victim of an unexplained surge of amnesia in his city, is being sold by Alpha Violet during the Cannes virtual market.
“My intention was to make a movie more close to the cinema I love as a viewer,” he continues. “Movies that create their own worlds and have conceptual ideas and at the same time have an unusual and complete story to narrate.”
It’s an artistic vision that,...
- 6/22/2020
- by Christopher Vourlias
- Variety Film + TV
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