This spoiler-free review is based on episodes one to four of eight.
This year has seen television drama so vibrant, inventive and entertaining that the first reaction is gratitude, but the second is frustration. You mean to say it could have been like this all along? This whole time, TV audiences have been stuck at the same party, in the same unending conversations about sad cops and bad men, because prejudice and failure of the imagination has kept a fabulous throng of bold, clever talent locked out on the other side of the door? Why is this only just happening now?
With TV commissioners finally giving creative freedom to writers like Michaela Coel (I May Destroy You), Sophia Al-Maria (Little Birds) and Lucy Prebble (I Hate Suzie), it’s no wonder that, once past the threshold, the first thing these storytellers are doing is blowing up the place. The explosive...
This year has seen television drama so vibrant, inventive and entertaining that the first reaction is gratitude, but the second is frustration. You mean to say it could have been like this all along? This whole time, TV audiences have been stuck at the same party, in the same unending conversations about sad cops and bad men, because prejudice and failure of the imagination has kept a fabulous throng of bold, clever talent locked out on the other side of the door? Why is this only just happening now?
With TV commissioners finally giving creative freedom to writers like Michaela Coel (I May Destroy You), Sophia Al-Maria (Little Birds) and Lucy Prebble (I Hate Suzie), it’s no wonder that, once past the threshold, the first thing these storytellers are doing is blowing up the place. The explosive...
- 8/27/2020
- by Louisa Mellor
- Den of Geek
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