Sometime during the rickety, rollicking production of Orson Welles’ The Other Side of the Wind in 1974, the 1942 Oscar statuette for Best Original Screenplay (which Welles had won for Citizen Kane) disappeared. Only three decades later did cinematographer Gary Graver reveal that he’d placed the Oscar, blasphemously used as a prop for The Other Side of the Wind, in his storage. “Here, keep this,” Welles had told him. And so he did. The filmmaker’s daughter, Beatrice Welles, then sued Graver, and sold the statue herself. Because her father had “loathed everything that [the Citizen Kane] Oscar represented,” she argued, “To sell the one thing that had no value to him, but was of great value to others, perhaps was not so bad after all.”This award, however, held immense value for the other winner, the screenwriter and producer Herman J. Mankiewicz (nicknamed “Mank”), who threatened Orson Welles—with rumors and...
- 12/14/2020
- MUBI
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