Actors like to reduce questions about their motives to simple clichés — they like to do different things, mixing things up is what gives them energy, that sort of thing — but it sounds different when Michelle Pfeiffer says it. Her latest role, leading Azazel Jacobs’ heightened dramedy “French Exit,” is the product of such desires. It’s paid off, too, with the Patrick DeWitt adaptation earning Pfeiffer her eighth Golden Globe nomination and even launching her back into the Oscars conversation along the way.
“I’m always looking for something that just excites me, and this material did,” the actress said in a recent interview with IndieWire. “It was so unusual. I’d never read anything like it.”
No, really: That’s not just fussy performer talk. “French Exit” truly is a different role for Pfeiffer, the kind of spiky comedy of bad manners she’s never dipped into before. And...
“I’m always looking for something that just excites me, and this material did,” the actress said in a recent interview with IndieWire. “It was so unusual. I’d never read anything like it.”
No, really: That’s not just fussy performer talk. “French Exit” truly is a different role for Pfeiffer, the kind of spiky comedy of bad manners she’s never dipped into before. And...
- 2/25/2021
- by Kate Erbland
- Indiewire
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